I still haven’t found a good way to steal it, but I hope to someday. I tried to learn Neil Sedaka’s “Laughter in the Rain.” The chord change into the chorus on that one blew my brain open. The construction of some of that stuff is crazy and inspiring. I also got into some Muppet songs and old Paul Williams songs too. When I was writing, I listened to a lot of Burt Bacharach, Dionne Warwick, Curtis Mayfield. Adding some elements of old radio music from childhood to these songs felt good. The world feels a bit crackly and frantic. I remember my mom singing along with the Carpenters on the radio while doing the laundry, and falling asleep to Lou Rawls coming through Cadillac speakers in my dad’s car. Tim Rutili: There are blurry childhood memories all over the record. What kind of feeling does listening to ’70s AM radio pop inspire for you? Are there any particular songs or artists from that genre that speak to you? ![]() It’s often a very lush and sweet sounding record, especially on a song like “Comedy,” which almost slips into a Burt Bacharach kind of space. | j woodburyĪquarium Drunkard: There are always spooky and cryptic lyrics on a Califone record, but I’d like to start by focusing on the sonic character of villagers. Rutili joins us to discuss his creative process, the 20th anniversary of his Ugly Casanova project with Modest Mouse’s Isaac Brock, and how reality television influenced the album as much as, or more than, his lofty cinematic obsessions. The varied sessions adhere together in a collage-like fashion, where discontinuity creates its own kind of dream logic. Along with a cast of familiar collaborators and brand new ones, Rutili assembled and pieced together the album over the course of years. The show, hosted by Bob Moke, played popular pre-rock and roll songs in the early 1950s.On villagers, the eighth album from Tim Rutili’s steadfast Califone project, the singer bemoans “a Roxy Music cassette dying in the dashboard sun.” That image serves as a fitting description of the sound here: open pop melodies and soulful singing at the mercy of time, nature, and memory. Sirius XM Satellite Radio formerly aired, from July 2006 through March 2009, a show on their ’50s channel named after the song, and featured the song as part of its theme music. “Moments to Remember” was also included in the soundtrack to the 1990 off-Broadway musical Forever Plaid.īarry Manilow recorded it for his 2006 album, The Greatest Songs of the Fifties.Ĭanadian singer Anne Murray recorded a cover of the song for her album Croonin’ in 1993. The Vogues version included an uncredited female voice who spoke the poetic words as part of the mini-poetic recitation in the middle of the song. The song was recorded by the Statler Brothers and The Vogues in 1969, inciting a minor cover remake battle against the Buddah Records version by the Smoke Ring. It was released on the 78 rpm record HMV AL 6037. The American vocal group Deep River Boys Featuring Harry Douglas with Pete Brown’s orchestra recorded it in Oslo on August 30, 1956. ![]() Ronnie Hilton with orchestra conducted by Frank Cordell recorded “Moments to Remember” in London on Decemand released it on HMV POP-154 (78 rpm record) and HMV 7M 358 (single). All of those memories reflected the suburban lifestyle of the 1950s. In the final stanza, they sing whenever they are separated from each other on the other days, that they will always remember those precious moments. ![]() According to the Four Lads Frank Busseri, the introductory verse, (“January through December/ We’ll have Moments to Remember”.), as well as the repeat of the Bridge section in harmony, (“When Summer turns to Winter”,) were sung by Lois Winters of the Ray Charles Singers and the poetic spoken words in mid-song: (“A Drive-In Movie/ Where We’d go/ and somehow never watched the show/”,) were recited by Pat Kirby of the Steve Allen Tonight Show.Īmong the memories listed in the song included tearing down the goal post on New Years Day, the quiet walks, the noisy fun, and the ballroom prize which they almost won. ![]() It eventually reached number 2 on Billboard magazine’s top 100 hit list, sold 4 million copies and became the group’s first gold record.īesides the voices of the male quartet, the song also contains two uncredited female parts. The Four Lads recorded it in June 1955 for Columbia Records as the B side to the single “Dream On, My Love.” Bernie Toorish of the Four Lads credited the enthusiastic endorsement of Cleveland radio DJ Bill Randle for increasing radio airtime play and popularizing the recording. The song was originally written by Robert Allen and Al Stillman for Perry Como but was turned down by Como’s management. “Moments to Remember” is a 1955 popular song recorded by Canadian quartet The Four Lads.
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